I like the part where Gal Gadot points out a giant mural to a bewildered Chris Pine and proclaims, "that's art". In all seriousness, this film feels like a victim of too many people trying to influence and control the film's conception, structure, and thematic elements, leaving it feeling a bit discombobulated, despite it having some legitimate moments of wonder. Didn't mind the prologue as much as some appear to have, as I found that the film started strong, embracing the pastiche of the 1980s and its source material with a sense of joviality which I personally want more out of comic book films. The first half really does have a great sense of limited scope, and it properly allows its characterizations to flourish. There is a sense of adventure to the film's pacing, it intrigues before becoming overstuffed and divulging into something that becomes far too expansive to effectively deliver the emotional weight of its story. Pedro Pascal's antagonist is one of the highlights of the film, at least early on, and I couldn't help but wish for a smaller film in which he is the only antagonist of the story instead of the rushed resolution, in which they frantically build out his characterization largely in the back half. With all this film's flaws, and they are plentiful, the film clearly aims to be a beacon of optimism, and for those who get a sense of temporary relief from Wonder Woman 1984's hopeful disposition - more power to you, in all honesty.
Love of all things cinema brought me here.