We, The Dead (2017) - Edmund Yeo

​Beginning as a seemingly familial narrative conception, We, The Dead evolves as it progresses, becoming an expansive evocation on diaspora and displacement in the modern epoch.  Showing deep concern for the enclaves of individuals forgotten or mistreated by the larger forces of the world,  Edmund Yeo' directorial sensibilities employ a free-flowing camera which immerses the viewer in a near dreamlike pathos while evoking the crippling uncertainty and fragility intrinsic to those seeking any semblance of stability in their day-to-day life.  With the plight of the Rohingya refugees used as the thematic backdrop,  We, The Dead examines the countless souls lost in the shuffle of a rapidly changing world