Conducted under the Reagan epoch and featuring the blunt-force temperament of an exploitation film, Tony Garnett's Handgun is polemic take-down of the systemic nature of sexism and an american culture at large which reinforces such oppression. Going into this film I was expecting it to a be a lower-tier version of Abel Ferrara's Ms. 45, a film that uses exploitation cinema to speak to underlying injustices in American culture. While Handgun lacks the stylistic precision of Ms. 45, this film remains a nice complementary piece of cinema given its disparate local, taking places in the south, a near agrarian spatial environment in Texas rather than the hustle-and-bustle of the big city in which Ms. 45 is set. I say they would be an effective double-feature, in that both films feature the hyper-reality/flair of exploitation cinema while their disparate settings provide a nice remainder that these injustices are not unique to a particular social strata or geographic local, but one that systematically built it.
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